Films

I have contributed to a wide range of films providing high-quality visual effects that elevate the viewing experience. My work includes CGI, matte painting, and compositing, tailored to meet the unique demands of episodic storytelling. I am adept at managing tight schedules and delivering consistent results across all platforms.

KGF Chaper 2 - VFX Supervisor

As the Visual Effects Supervisor for this blockbuster film, I led the VFX team to deliver groundbreaking CGI and realistic visual effects that were crucial to the film's success. My work involved creating complex action sequences and enhancing the film's overall visual appeal.

Brahmastra - Head of VFX - Hyd

In my role as Head of VFX, I oversaw the visual effects for Brahmastra for Hyd division, a high-budget fantasy film. I was responsible for managing a large team of VFX artists and ensuring the seamless integration of spectacular visual effects, which played a key role in bringing the film's magical world to life.

Naayak- VFX Supervisor

Serving as the VFX Supervisor for the film Naayak, I led the visual effects efforts to enhance the film's action sequences and visual storytelling. My contributions included designing and executing complex VFX shots that added to the film's dynamic and engaging narrative.

Koi Mil Gaya - Creative Supervisor

Working as the VFX Supervisor for "Koi Mil Gaya," the first Indian movie based on aliens coming to Earth, was a groundbreaking experience. I faced the challenging responsibility of enhancing the film's VFX and CGI to bring the alien characters and their world to life. The film's innovative visual effects were recognized with the National Award for the best visual effects, a testament to the dedication and creativity of the entire VFX team.

The First - Head of VFX

As the Head of VFX/Creative for "The First," a highly acclaimed OTT series, I was responsible for overseeing the VFX production from concept to completion. This series, set in the near future, required a blend of realistic and futuristic visual effects to bring its space exploration narrative to life. My team and I created intricate space sequences, realistic environments, and innovative effects that enhanced the storytelling and visual experience of the series..

The Last Ship - Head of VFX

As Head of VFX for "The Last Ship," I led a team of talented artists to deliver high-quality visual effects for this intense and action-packed OTT series. The series demanded realistic visual effects to depict naval battles, post-apocalyptic environments, and intricate action sequences. My responsibilities included supervising the creation of these effects, ensuring they were seamlessly integrated into the narrative, and maintaining a high standard of visual fidelity throughout the series.

Perry Mason - Creative Supervision

As the Creative Supervisor for "Perry Mason Season 2," an outsourced project from the USA to India, I led the VFX team in creating visually compelling and historically accurate effects that enhanced the show's dramatic storytelling. My responsibilities included overseeing the entire VFX process, from pre-production planning to final compositing, ensuring that each visual element seamlessly integrated with the narrative and period setting. The meticulous attention to detail and creative problem-solving required for this project highlighted my ability to deliver high-quality visual effects under tight production schedules.

Station Eleven - Creative Supervision

As the Creative Supervisor for "Station Eleven," I oversaw the creation and integration of visual effects that brought the post-apocalyptic world of the series to life. My responsibilities included managing the VFX team, ensuring the seamless blending of effects with the story, and upholding the highest visual standards. This project demanded creative innovation and detailed execution to enhance the series' immersive and atmospheric narrative.

OTT Platforms

I have contributed to a wide range of television shows and OTT content, providing high-quality visual effects that elevate the viewing experience. My work includes CGI, matte painting, and compositing, tailored to meet the unique demands of episodic storytelling. I am adept at managing tight schedules and delivering consistent results across multiple episodes and seasons.